两个僧侣

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分类：恐怖片地区：墨西哥年份：1934年

主演：Víctor Urruchúa Carlos Villatoro Magda Haller H. Beltran de Heder Emma Roldán Alberto Miquel 曼努埃尔·安东尼奥·诺列加

导演：胡安·布斯蒂略·奥罗

更新：2022-05-25 10:05:14

简介：Masterpiece precedes 'Rashomon'. One of the greatest films of all time is Kurosawa's 'Rashomon', whi..详情

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Masterpiece precedes 'Rashomon'. One of the greatest films of all time is Kurosawa's 'Rashomon', which features an unusual narrative structure: the same events are shown in flashback four times, each time from the viewpoint of a different character. The subtle differences in each flashback compel the viewers to decide for themselves the truth of what actually happened. 'Rashomon' (1950) proved to be so innovative that several later films have used the same idea. I can think of at least three dif……　　Masterpiece precedes 'Rashomon'. One of the greatest films of all time is Kurosawa's 'Rashomon', which features an unusual narrative structure: the same events are shown in flashback four times, each time from the viewpoint of a different character. The subtle differences in each flashback compel the viewers to decide for themselves the truth of what actually happened. 'Rashomon' (1950) proved to be so innovative that several later films have used the same idea. I can think of at least three different sitcoms, each of which has done an episode ripping off the 'Rashomon' premise. The 1934 Mexican film 'Two Monks' uses precisely this same narrative gimmick, 16 years before it was used in 'Rashomon'. Unfortunately, because 'Two Monks' uses only two conflicting flashbacks (rather than four, as in 'Rashomon'), the audience are put in an either/or situation rather than a pick'n'mix. Still, it's intriguing to see that one of the most famous narrative innovations in the entire history of film was used in an obscure Mexican movie more than a decade before it was employed in the film that brought it to greatness and prominence. Juan and Javier are two young men, rivals for the charms of pretty Anita. She dies, in circumstances which are intentionally kept obscure, and the rivals go their separate ways. Javier becomes a monk, and puts his painful memories behind him ... until, one day in the priory, he encounters a monk who turns out to be Juan. Straight away, Javier is so angered that he attacks Juan, giving him a near-fatal blow. The kindly old prior confesses each of the two men separately. Each confession is shown in flashback, with first one man and then the other telling the story of the tragic triangle from his own self-serving viewpoint. Now we learn -- from two conflicting viewpoints -- what happened to Anita. The art direction throughout this film is astonishing, and there is the clever touch of having each of the rivals dressed in white in his own flashback, but garbed in black in the other man's flashback: a splendid way of helping the audience to remember that this narrative is subjective. 'Two Monks' deserves to be much, much better known, and I eagerly rate this film 10 out of 10.详情

两个僧侣影评

游客2022-05-25
表现主义美学完成度高，但观感上也有些过于造作，尤其是表演的抑扬顿挫感太强，看着难以入戏；音乐虽然优美，但也过于重复，使整部电影的节奏显得很平。

游客2022-05-25
三人人物关系总会带点神秘主义，造型非常好，对宗教和偏执心理主题的处理具有先见性

游客2022-05-25
　　Masterpiece precedes 'Rashomon'. 　　One of the greatest films of all time is Kurosawa's 'Rashomon' which features an unusual narrative structure: the same events are shown in flashback four times each time from the viewpoint of a different character. The subtle differences in each flashback compel the viewers to decide for themselves the truth of what actually happened. 'Rashomo...

游客2022-05-25
不知道是不是影史第一次同一个故事拍两次的手法，一件事情的全貌就是所有参与者的经验总和吧，该片也可以说是两个人的罗生门。基本上把一个好莱坞俗套三角恋故事，加入当时墨西哥流行的哥特恐怖元素，拍成了表现主义+德莱叶伯格曼故事。

游客2022-05-25
A neglected gem!